Atomos Sumo 19″ SE HDR – Moniteur Enregistreur
2 394,00 €TTC1 995,00 €HT2 202,00 €TTC
1 835,00 €HT
Sur commande
Présentation du Atomos Sumo 19″ SE HDR
Le Atomos Sumo 19″ SE HDR est moniteur enregistreur QLED de 19″ qui offre une résolution 1920×1080 et une luminosité de 2000 cd/m². Ainsi, il propose une meilleure netteté et luminosité que son prédécesseur.
Il intègre 4 entrées 12G-SDI et 1 entrée HDMI 2.0 qui peuvent recevoir des signaux vidéo jusqu’à 4K60 et prendre en charge la commutation quad-canal en direct. L’enregistrement à 5 canaux capture les flux d’entrée ainsi que le live switching pour créer une vidéo de sortie pour une visualisation efficace. Ses ports HDMI 2.0 et Quad SDI prennent en charge le Genlock et timecode LTC.
Le Sumo 19″ SE HDR peut enregistrer aux formats ProRes RAW et 10 bits 422 ProRes/DNxHR. Les sorties RAW, Log, PQ et HLG de diverses caméras ou consoles de jeu peuvent être traitées par l’appareil et mappées pour afficher plus de 10 arrêts de plage dynamique HDR en temps réel. Ainsi, il est idéal pour du monitoring sur le terrain. Deux entrées XLR avec alimentation fantôme + 48 V sont également présentes pour un enregistrement audio équilibré via des appareils externes.
Points forts du mélangeur enregistreur Sumo 19 SE
- Écran tactile QLED 1920×1080
- Entrées/sorties HDMI 2.0 et 12G-SDI
- Live switching Quad-HD et enregistrement 5 canaux
- Luminosité de 2000 cd/m²
- Prise en charge ProRes RAW
- Encodage 10 bits 422 ProRes/DNxHR
- Mode HDR avec plage dynamique de 10 arrêts
- Deux entrées XLR avec +48V
CARACTÉRISTIQUES
| Physical Specifications | |
|---|---|
| Dimensions (W x H x D mm) | 310mm / 12.2″ x 504 mm / 19.8″ x 63mm / 2.5″ |
| Weight | 6.2kg / 13.7lb |
| Mount points | Top: 4 x 1/4′ 20, 2 x 3/8″, Bottom: 6 x 1/4′ 20, 3 x 3/8″ Right: 4 x 1/4′ 20, 2 x 3/8″, Left: 2 x 1/4′ 20, 1 x 3/8″ |
| VESA mount | 100 x 100 |
| Environmental | |
| Ambient operating temperature | Up to 40 Degrees Celsius |
| Construction and Control | |
| Cooling | Actively controlled fan and Heat Sink |
| Tally light | Rear and front |
| Multi-function button | Power / lock Screen |
| Touch Screen | Yes |
| Power | |
| Input voltage | DC 12-16.8v |
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended. |
| Battery voltage | 14.4V nominal |
| Battery Run time (Record) | Depends on Watt Hours specification of battery used |
| Battery Run time (Monitor only) | Depends on Watt Hours specification of battery used |
| Continuous power | Dual Battery input via dedicated 4 pin XLR |
| DC in connector | 1 x 4 pin XLR (12-16.8V) |
| Dtap | Via optional D-Tap to 4 Pin XLR cable. |
| Display | |
| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 19″ |
| Resolution | 1920 x 1080 |
| PPI | 120 |
| Bit depth | 10Bit (8+2 FRC) |
| Backlight Type | Optically bonded quantum dot |
| Brightness (cdm2 / nits) | 1200nit (+/- 10% @ center) |
| Aspect ratio | 16:9 Image Display |
| De-interlace mode | Yes |
| Color Gamut | DCI P3 |
| Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native/ 709 / HLG / PQ / 3D LUT |
| HDR output Conversion | HDR to HLG / PQ |
| Color Management | |
| Calibration | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display Controls | Backlight, Lift, Gamma, Gain |
| AtomHDR | Built in Technical Log to HDR EOTF |
| 3D LUTs | Display, monitor and output, Record, Load via SSD |
| Legalize | Full to Legal conversion available on Input |
| Video Input | |
| HDMI | 1 x HDMI (2.0) 4K p60 |
| HDMI RAW | No – HDMI Video only |
| SDI | 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection |
| SDI RAW | Apple ProRes RAW up to 6Kp30 |
| Bit Depth | 8/10Bit Video / RAW up to 12Bit |
| Video Chroma Subsampling | YCbCr 422 |
| HDR | Yes with Auto detection |
| Metadata | |
| SDI | File Name from Arri, RED. RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| File Naming | |
| Standard | S/S/T & Rolling |
| Via SDI | Red, Arri |
| Video Output | |
| HDMI | 1 x HDMI (2.0) 4K p60 |
| SDI loop out | 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable |
| SDI Play out | 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable |
| Video Chroma Subsampling | 422 |
| Bit Depth | 10Bit Video / 12Bit RAW |
| Web Streaming | |
| USB UVC | Optional via ZATO Connect / USB Stick |
| Video Signal Conversion | |
| HDMI to SDI | Yes |
| SDI to HDMI | Yes – Video and RAW |
| Audio In/Out | |
| Audio Quality | 24-Bit / 48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24Bit, input dependent |
| SDI | 12ch 24Bit, input dependent |
| Analogue Audio in | 2 x XLR |
| Analogue Audio Out | 2 x XLR |
| Speakers | 2 x 5w |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync | |
| Embedded | SDI and HDMI |
| Time of day | Yes, Time and Date |
| LTC | LTC via BNC input in Record mode |
| Genlock | Genlock in Playback mode |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 4k DCI | up to 4Kp60 |
| 4k UHD | up to 4Kp60 |
| 2K DCI 2046 x 1080 | up to 2Kp60 |
| FHD 1920 x 1080 Progressive | up to 1080p120 |
| FHD 1920 x 1080 PsF | Pull down |
| FHD 1920 x 1080 Interlaced | 1080i50 / 1080i60 |
| 1280 x 720p | 60p |
| 6K RAW | up to 6Kp30 Via SDI |
| 4K RAW | up to 4Kp60 via SDI |
| 2K RAW | up to 2Kp240 via SDI |
| Recording CODEC | |
| CDNG | For SDI RAW inputs Only |
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60 |
| Apple ProRes | Apple ProRes HQ / 422 / LT up to 4Kp60 |
| Avid DNxHD | up to 1080p60 |
| Avid DNxHR | up to 4Kp60 |
| Playback | |
| Playlist | Yes, Create custom play lists from full or sub clips |
| Loop | Yes, with user customizable in / out markers |
| CDNG | No |
| Apple ProRes Raw | Yes, recorded clips with linear PCM |
| Apple ProRes | HQ / 422 / LT – Yes with linear PCM |
| Avid DNx | DNxHR / DNxHD – Yes with linear PCM |
| Monitoring | |
| SDR | Native, 709, LUT |
| HDR | HLG, PQ Rec2020 |
| De-Interlace | Selectable mode |
| Recording functions | |
| Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
| ISO Record | 4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
| Switched Program Record | Yes Up to 1080p 60 |
| Timelapse | Yes |
| Multi Input / Switching | |
| SDI A/B toggle | Yes, supports up to 12G SDI per input |
| Dual Input display | Via Multi ISO input mode |
| Multiple SDI input | Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
| Multiview Display | Via Multi ISO input mode |
| Input transitions | Auto or manual XML transition |
| Input Switching | Yes |
| Supported media | |
| Master Caddy I | No |
| SSDmini | Yes (AtomX SSDmini handle required) |
| CFast II | Not supported |
| File System | ExFAT |
| Interface | SATA 3 |
| Master Caddy III | Yes |
| On screen tools | |
| Waveform | 3 sizes |
| RGB parade | 3 sizes |
| Vector scope | 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour/ Mono / edges only |
| False colour | Yes, with IRE scale |
| Zebra | Yes, customisable |
| Isolate color channel | Blue only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | 9:16, 1:1, 1.91:1, 4:5 |
| Safe areas | SMPTE frame size – Action and Safe |
| Grid markers | 9 grid |
| Anamorphic desqueeze | Display 1.25x, 1.33x, 1.5x, 1.8x and 2x |
| Display Flip | Vertical |
| False Color | Yes, with IRE scale |
| Onboard Signal Processing | |
| 4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
| DCI Crop | Loop out – 17:9 to 16:9 Crop |
| I > P | 60i > 24p (3:2 pulldown) |
| PSF > P | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
| Remote control | |
| HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger, camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Cut & Tag | |
| FCP XML | Cut tag EDL and Multicam with transitions in FCP XML |
| Supported Applications | |
| XML | Apple Final Cut Pro |
| Apple ProRes RAW | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH |
| Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
CONTENU DE LA BOITE
SUMO 19SE
1x Master Caddy II
1x support de montage BattWing avec 4x vis
2x pieds de bureau avec 4x vis de montage 1/4″
Alimentation secteur