RME Fireface UCX II – Interface Audio
1 309,00 €HT
Sur commande
Présentation de la RME Fireface UCX II
La RME Fireface UCX II une interface audio multicanal dans un format ultra-compact pour les enregistrements en studio et en direct.. Elle est une solution audio professionnelle hautement intégrée dans un format ultra-compact pour les enregistrements en studio et en direct. Elle s’inscrit dans la longue tradition de RME en matière de conception d’interfaces avancées compactes, en rassemblant dans une unité de la taille d’un demi-rack ce qui serait habituellement réparti sur deux ou trois panneaux de 19 pouces.
L’interface Audio USB RME la plus puissante et versatile
Ce système audio unique est capable de transférer des données audio analogiques et numériques directement vers des ordinateurs Windows et Mac. La dernière technologie Plug and Play garantit une installation simple, même pour l’utilisateur inexpérimenté. De nombreuses caractéristiques uniques, telles qu’une boîte de dialogue de configuration bien pensée et une solution de routage intégrée, permettent une utilisation rapide, confortable et efficace de la Fireface UCX II.
La Fireface UCX II comporte deux préamplis micro/ligne en configuration combo XLR sur le panneau avant, ainsi que deux entrées ligne/instrument contrôlées numériquement, suivies d’une prise casque, de divers boutons de contrôle, d’un écran et du bouton de volume principal. À l’arrière, on trouve un ensemble de dix entrées et sorties analogiques symétriques, des E/S MIDI, des E/S ADAT, des E/S AES/EBU et SPDIF, l’USB 2.0 ainsi qu’une E/S word clock commutable.
Avec le SteadyClock FS, la Fireface UCX II dispose de la toute dernière technologie de rejet d’horloge et de jitter de RME. Basé sur une horloge femtoseconde, SteadyClock FS réduit le jitter intrinsèque lors de la conversion de et vers l’analogique et tous les formats numériques à un niveau historiquement bas.
CARACTERISTIQUES
RME FFUCXII Specs
| Channels of I/O |
Analog:
8 Inputs / 8 Outputs Digital: 12 Inputs / 12 Outputs |
| Maximum Sampling Rate |
192 kHz / 24-Bit
|
| Number of Microphone Inputs |
2
|
| Analog Audio I/O |
2 x Combo XLR-1/4″ TRS Balanced Mic/Line Input (Front Panel)
2 x 1/4″ TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel) 4 x 1/4″ TRS Balanced Line Input 6 x 1/4″ TRS Balanced Line Output (DC-Coupled) 1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel) |
| Digital Audio I/O |
1 x TOSLINK Optical ADAT Input
1 x TOSLINK Optical ADAT Output 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x XLR 3-Pin AES3 Output (on Breakout Cable) 1 x RCA Coaxial S/PDIF Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Output (on Breakout Cable) |
| Host Connection |
1 x USB-B
|
| OS Compatibility |
macOS 10.12 or Later
Windows 7 or Later Linux iPadOS 7 or Later *As of January, 2022: Check with manufacturer for the most up-to-date compatibility |
| Power Requirements |
AC/DC Power Adapter (Included)
|
| Channels of I/O |
Analog:
8 Inputs / 8 Outputs Digital: 12 Inputs / 12 Outputs |
| Built-In DSP |
No
|
| Maximum Sampling Rate |
192 kHz / 24-Bit
|
| Number of Microphone Inputs |
2
|
| Built-In Microphone |
No
|
| Input Level Adjustment |
1 x Knob
|
| Expansion Slots |
No
|
Signal Processing
| Pad |
No
|
| Gain/Trim Range |
1/4″ Hi-Z Inputs:
+6 dB Combo XLR-1/4″ Mic/Line Inputs: +75 dB 1/4″ Line Inputs: +12 dB |
| High-Pass Filter |
No
|
| Solo/Mute |
No
|
Connectivity
| Analog Audio I/O |
2 x Combo XLR-1/4″ TRS Balanced Mic/Line Input (Front Panel)
2 x 1/4″ TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel) 4 x 1/4″ TRS Balanced Line Input 6 x 1/4″ TRS Balanced Line Output (DC-Coupled) 1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel) |
| Phantom Power |
48 V, Selectable On/Off (Selectable on Individual Inputs)
|
| Digital Audio I/O |
1 x TOSLINK Optical ADAT Input
1 x TOSLINK Optical ADAT Output 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x XLR 3-Pin AES3 Output (on Breakout Cable) 1 x RCA Coaxial S/PDIF Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Output (on Breakout Cable) |
| Host Connection |
1 x USB-B
|
| Host Connection Protocol |
USB 2.0
|
| USB (Non-Host) |
1 x USB-A (External Storage)
|
| Sync I/O |
1 x BNC Word Clock Input or Output
|
| Network I/O |
No
|
| MIDI I/O |
1 x DIN 5-Pin Input
1 x DIN 5-Pin Output |
| Other I/O |
1 x DE-9/DB-9 9-Pin Breakout Cable In/Out
|
Performance
| Frequency Response |
Inputs:
5 Hz to 20.8 kHz -0.1 dB (at 44.1 kHz) 3 Hz to 45.8 kHz -0.5 dB (at 96 kHz) 2 Hz to 92 kHz -1 dB (at 192 kHz) Outputs: 5 Hz to 20.8 kHz -0.5 dB (at 44.1 kHz) 5 Hz to 45 kHz -0.5 dB (at 96 kHz) 5 Hz to 89 kHz -1 dB (at 192 kHz) |
| Maximum Input Level |
1/4″ Hi-Z Inputs:
+13 dBu (Min Gain) -5 dBu (Max Gain) Combo XLR-1/4″ Mic Inputs: +18 dBu (Min Gain) -57 dBu (Max Gain) Combo XLR-1/4″ Line Inputs: +24 dBu (Min Gain) -51 dBu (Max Gain) 1/4″ Line Inputs: +19 dBu (Min Gain) +1 dBu (Max Gain) |
| Maximum Output Level |
Line/Headphone Outputs:
+19 dBu |
| Headphone Output Power |
210 mW per Channel into 32 Ohms (Max, 0.1% THD)
|
| Impedance |
Combo XLR-1/4″ Mic Inputs:
5.4 Kilohms Combo XLR-1/4″ Line Inputs: 10 Kilohms (Balanced) 5 Kilohms (Unbalanced) Hi-Z Inputs: 1 Megohm 1/4″ Line Inputs: 12 Kilohms (Balanced) 8 Kilohms (Unbalanced) Line Outputs: 75 Ohms Headphone Outputs: 1 Ohm |
| Dynamic Range |
Line Outputs:
115 dB (A-Weighted) 112 dB RMS (Unweighted) |
| SNR |
1/4″ Line Inputs:
115 dB (A-Weighted) 112 dB RMS (Unweighted) |
| THD |
Inputs:
< -110 dB / < 0.00032% Outputs: < -108 dB / < 0.0004% |
| THD+N |
Inputs:
< -104 dB / < 0.00063% Outputs: < -104 dB / < 0.00063% |
| EIN |
Mic Inputs:
-128 dBu A-Weighted (150-Ohm Source, +60 dB Gain, 20 Hz to 20 kHz) |
Digital Audio
| Sample Rates |
Up to 192 kHz
|
| Sample Rate Conversion |
No
|
| Bit Depths |
24-Bit
|
| Latency |
Zero-Latency Direct Monitoring
A/D Conversion: 0.11 ms at 44.1 kHz A/D Conversion: 0.1 ms at 48 kHz A/D Conversion: 0.057 ms at 88.2 kHz A/D Conversion: 0.052 ms at 96 kHz A/D Conversion: 0.034 ms at 176.4 kHz A/D Conversion: 0.031 ms at 192 kHz |
| Sync Sources |
ADAT, AES3, Internal, S/PDIF, Word Clock
|
| Clocking |
Word Clock:
Input Termination: 75 Ohms Input Voltage: 1 to 5.6 V p-p Output Voltage: 5 V p-p Lock Range: 27 to 200 kHz AES: S/PDIF: ADAT: |
Audio Storage & Playback
| Media/Memory Card Slot |
No
|
Compatibility
| OS Compatibility |
macOS 10.12 or Later
Windows 7 or Later Linux iPadOS 7 or Later *As of January, 2022: Check with manufacturer for the most up-to-date compatibility |
| Included Software |
No
|
| Compatible Software (Not Included) |
Any Core Audio (Mac) Compliant Software
|
| Included Plug-Ins |
Special Processing:
Ozone 10 Elements Brainworx BX Masterdesk Scuffham Amps SGEAR Dynamics: Brainworx Opto Compressor Virtual Instruments: True Sound Studio RME Drum Sample Pack Tuning: Auto-Tune Unlimited |
| Supported Drivers/API & Plug-Ins |
Proprietary
macOS Class-Compliant (No Driver Needed) Windows Class-Compliant (No Driver Needed) |
| Processor Requirement |
Intel Core i3 or Better
|
| Mobile App Compatible |
No
*As of February, 2023: Check with manufacturer for the most up-to-date compatibility |
| Mobile Device Compatibility |
iPad
iPad Pro iPhone |
| Required Hardware |
Available USB 2.0 Port or USB 3.0 / 3.1/3.2 Gen 1 Port
USB Cable (Included) |
Power
| Power Requirements |
AC/DC Power Adapter (Included)
|
| AC Input Power |
100 to 240 VAC, 50 / 60 Hz
|
| AC/DC Power Adapter |
9 to 18 VDC at 2 A, Center-Positive (Included)
|
| Power Consumption |
13 W (Typical)
|
Physical
| Rackmount Size |
1 RU (with Optional Hardware, 1/2-Rack)
|
| Operating Humidity |
75% (Non-Condensing)
|
| Operating Temperature |
41 to 122°F / 5 to 50°C
|
| Dimensions |
8.5 x 5.1 x 1.73″ / 21.6 x 13 x 4.39 cm (without Rack Ears)
10.16 x 6.1 x 1.73″ / 25.81 x 15.5 x 4.39 cm (with Rack Ears) |
| Weight |
2.0 lb / 0.9 kg
|
Packaging Info
| Package Weight |
3.955 lb
|
| Box Dimensions (LxWxH) |
13.7 x 7.7 x 3.7″
|
